Ghanaian dancehall artist Addi Self steps forward with a bold and confrontational new record titled “Letter To Captan and ARA-B (6 FEET DEEP),” a hard-hitting dancehall diss track that sees the artist directly addressing fellow Ghanaian musicians Captan and ARA-B.
The record arrives with a strong lyrical stance, with Addi Self using the song as a platform to express his views and respond to the ongoing musical tension surrounding the two artists. A social-media post promoting the release also identifies it as a dancehall diss track and references the Captan–ARA-B dispute.
“Letter To Captan and ARA-B (6 FEET DEEP)” showcases Addi Self’s confidence as a lyricist. Rather than holding back, he adopts an assertive delivery and uses sharp wordplay and direct messaging to make his position known.
The song draws heavily from the competitive spirit of Ghanaian dancehall, where lyrical exchanges and musical clashes have historically provided artists with opportunities to demonstrate their creativity, penmanship, and ability to command attention.
One of the standout elements of the record is its directness. Addi Self presents the track as a musical statement, maintaining a forceful tone throughout while allowing his personality and lyrical confidence to drive the record.
Beyond the controversy surrounding the song, the release also demonstrates the role of dancehall as a space for artistic competition and self-expression. Addi Self uses the format to put his lyrical abilities on display and make his voice heard.
With “Letter To Captan and ARA-B (6 FEET DEEP),” Addi Self delivers a bold addition to the Ghanaian dancehall conversation, combining confidence, competitive energy, and pointed lyrical expression.
Listen to “Letter To Captan and ARA-B (6 FEET DEEP)” by Addi Self, and follow the latest developments in Ghana’s ever-evolving dancehall scene on HitzNation.net.
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